“Clearly influenced by great post rock artists like Mogwai and The Mars Volta, After Nations is a fire tornado of sound. Each track, each chord and each arrangement begins with just a little spark, like a dropped glass acting as flint, until the momentum builds and breaks in a rolling cresendo of flame. At times it can be beautiful and glorious in it’s oxidated release of energy with inspiring waves of divergent and pliant organization that comes across unexpected like the approaching intensity of heat. This take on rock stems from a belief that mainstream rock with formulaic progression is bland due to predictability. For those of you completely comfortable with spontaneity it’s easy to note how jazz influenced the experimental take on rock right down to it’s solely instrumental perspective. Ultimately, the sound is loud with an artistic point of view that inspires a release of energy that without warning can be explosive.
After Nations is a young band formed in 2012 and currently reside in Kansas City. Being modern, the band used Kickstarter as a campaign to fund the band’s endeavors. The trio consists of Andrew Elliott shredding the guitar with wicked style, Tyler Mehaffey providing a heavy bass and Trent Utley bringing mad percussion skills. Together they create a feel that is loud, in your face and full of energy. They integrate the three instruments in such a way that it feels both harmonious and clashing in an exciting juxtaposition. Unveil Panoptica, their latest EP, released this April and the band is currently touring the sound.
See After Nations at the Che Cafe tonight!” ~ Tentacleears
“Just last month, while wandering around the swelling Austin streets for SXSW, I found my way into a bar for a midday set by Kansas City prog-rock band After Nations. My ears were assaulted by some incredible – and incredibly loud – compositions. There I was, in this small little venue with only a handful of people, watching this talented trio - guitarist Andrew Elliott, bassist Tyler Mehaffey and drummer Trent Utley – shred, sweat and live in a dizzying assembly of songs that I’m tempted to call “rock symphonies,” but I know how douche-y that sounds. ” ~ Natalie Gallagher (The Pitch, Kansas City)
“We ducked in, and quickly out, of some venues, based on what was on the stage in front of us – just because it’s at South By doesn’t automatically make it good. But the “let it happen” mantra I was trying to accept did result in a few unexpected and delightful discoveries – among them, Kansas City’s own After Nations.
Made up of guitarist Andrew Elliott, bassist Tyler Mehaffey and drummer Trent Utley, After Nations was blaring some thrashy prog-rock from inside the Karma Lounge so loudly, I’m pretty sure the boys will be paying for it later. No matter. I’ve never had my face melted off so completely by a band before. Just annihilated. And for a crowd of fewer than 20 people. This is what people talk about when they talk about the “magic” of SXSW: the surprises, the coincidences, the surreal finds.” ~ Natalie Gallagher
“…they [stand] apart as a formidably unique addition to the ever-expanding instrumental prog-rock genre.”
“After Nations [proves] that enthusiasm for innovation is still fully present in the musical industry…”
“…[a] passionately spellbounding performance”
“After Nations – A band from Kansas City that is redefining prog rock. This young up-and-coming indie prog-rock trio is currently on a self-funded US tour. They came through San Jose on Friday [10.25.2013] and played in a quiet little venue where there were only maybe 10 peeps in the audience. I was floored. These guys are the real deal, playing some seriously sophisticated, authentically good shit. I hope they are packing houses in the bigger cities. Think I’m gonna keep watch of this band. They will go far! Check ‘em out:”